Chart studio afternoon
Four to six people, one afternoon, one shared underlying. You mark the same hour of the SET50 or a named stock and argue the range out loud before looking at any premium.
Chart studio · Nongkhaem · Bangkok
Technical analysis, taught by hand
Sync Pulsebase is a small classroom off Petchkasem Road. We sit with printed charts of the underlying you actually trade, mark trend and invalidation in pencil, and only then talk about how an option would express the same location.
Saturday morning, packs already on the table
In the room
You name the cash or futures chart when you write. We print it the day before. Phones go in a tray. The first half of a private session has no option vocabulary on the wall at all — only swings, range, volume on the underlying, and a sentence that would make the reading false.
When that sentence exists, we allow a short conversation about how a call or a put would express the same view. We do not pick a strike for this afternoon. We do not watch a live quote. The work is the habit of finishing the chart.
Other ways to sit
Four to six people, one afternoon, one shared underlying. You mark the same hour of the SET50 or a named stock and argue the range out loud before looking at any premium.
A paced classroom sequence: naked candles, then volume on the underlying, then how expiry week changes the same chart, then a restrained look at implied volatility as background — never as a dashboard.
You bring messy printouts from your own book. We spend 45 minutes on what the chart already said, and where your markup invented a story the bars do not support.
After class
“Six of us marked the same SET50 hour. I had the breakout; two other people had a range. Seeing my wick called leftover inventory in someone else’s handwriting was worth the taxi from Bang Khae.”
Hannah L. · Chart studio afternoon
Journal
Short studio writings on location, expiry week, volume on the underlying, and the SET50 morning — not market calls.